By Tim Rayborn
A cursed track that kills those that listen it
A composer who lovingly cradles the pinnacle of Beethoven’s corpse whilst his is still are exhumed part a century after his death
A fifteenth-century German poet who sings of the real-life Dracula
A dream of the satan that conjures up a virtuoso violin piece
Unlike many track books that start their histories with the 17th or eighteenth centuries, Beethoven’s Skull takes the reader again to the area of historic Greece and Rome, progressing in the course of the heart a while and the entire method into the 20th century. It additionally appears to be like at myths and legends, superstitions, and musical mysteries, detailing the ways in which musicians and their friends were relatively terrible to each other over the centuries.
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