By Jonathan N. Barron
Robert Frost stood on the intersection of nineteenth-century romanticism and twentieth-century modernism and made either his personal. Frost tailored the genteel values and strategies of nineteenth-century poetry, yet Barron argues that it used to be his dedication to realism that gave him well known in addition to scholarly charm and created his enduring legacy. This hugely researched attention of Frost investigates early leading edge poetry that used to be released in renowned magazines from 1894 to 1915 and divulges a voice of dissent that expected “The New Poetry” – a voice that may come to dominate American poetry as few others have.
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