Indian English Drama: A Gynocritical Perspective by Durgesh Ravande

By Durgesh Ravande

Gynocriticism refers back to the old examine of girls writers as a special literary culture. It denotes a feedback that constructs a feminine framework for the research of women’s literature, to strengthen new versions in keeping with the examine of girl event, instead of adapt male types and theories.

The publication illustrates gender-centred truth, psychodynamics of language and level approach within the opt for performs of Bharati Sarabhai, Mahasweta Devi and Manjula Padmanabhan. It provides a gynocentric interpretation of Bharati Sarabhai’s The good of the People (1943), and Two Women (1952); Mahasweta Devi’s Mother of 1084 (1973); and Bayen (1976); and Manjula Padmanabhan’s Lights Out (1986), and Harvest (1997).

The ebook foregrounds the gender language, and strategies on the way to discover the spatial dynamics top eventually to examine woman’s global view. It strives to unearth how those playwrights have challenged the social building of gender through deconstructing the supportive socio-cultural and androcentric paradigms.

The target of the booklet is to discover the self and language of girls via conception of gender-based social fact to defy woman’s traditional, stereotyped development in today’s male-dominated society.

The booklet can be valuable for the scholars and lecturers of English Literature, fairly Indian English Literature, Feminist Literature and researchers in those fields.

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